A history, current reckoning, and dreaming forward of the limits and possibilities of political boundaries. Just as a single human is taken to be a closed sovereign unit that is nonetheless socially and environmentally co-constituted; states and their political boundaries are historically specific, interdependent, shifting. Territorial borders, and the boundaries of citizenship are therefore open for debate and re-negotiation. As political thinkers, we often collapse identity, citizenship, and political realities into monolithic categories while ignoring specific histories and their complexity.
‘Bleeding Edges: Border Costs’ engages with histories of entanglement between the United States and Mexico, focusing on our shared labor histories and subsequent patterns of labor migration. We will look at legal work being done to defend human rights in the breach of current policies and try to understand current possibilities for solidarity amidst the “global mood” of increasing xenophobia. We will then strive to imagine possible futures. What would it mean for boundaries to prioritize the simultaneous well-being of a variety of individuals; citizens, migrants, “guest” workers, refugees of all stripes? How could they serve the most vulnerable and various peoples of multiple states; individuals from a wide variety of racial, and economic, backgrounds, with a variety of identities and relationships to ability, with varied political and social concerns? What would the best practices of such an orientation look like?
Levi Bentley organizes the reading series Housework and edits the journal Boneless Skinless, featuring work by Housework participants. A chapbook of poems “Bucolic Eclogue” was released from Lamehouse Press in July 2016. Levi has worked in publishing for a variety of clients including Copper Canyon, Ugly Duckling Presse, LUMA Foundation, and Jacket2 reissues at Kelly Writers House. They live in Philadelphia. // Chapbooks “Obstacle, Particle, Spectacle”, “&parts”, and “Stub Wilderness” were released from 89plus Luma Foundation, Damask Press, and Well Greased Press, respectively. Vitrine released a tape of sounds labeled “Red Green Blue”. Poems have appeared in 491, Apiary, Bedfellows, BlazeVOX, Boog City, Elective Affinities, Fact-Simile, Gigantic Sequins, No Infinite, Maestra Vida, Magic Pictures, Painted Bride Quarterly, Small Po[r]tions, Stillwater Review, Tinge and Truck.
Justice at Work
Justice at Work is a multilingual legal nonprofit founded solely to support organizations of workers in low-paying jobs. We envision a future in which all workers have the power to ensure safe and healthy conditions, fair wages, and dignity and respect.
Professor of History
My research focuses on problems of historiography and representation, religious history, and visual culture. Currently, I am engaged in two book length research efforts. The first, tentatively titled “The Benedictines, Slavery and the History of Colonial Brazil,” uses material culture including religious art and architecture to explore the Benedictine religious order in the Portuguese colonial world, from late medieval times through the late nineteenth century abolition of slavery in Brazil. The second, co-authored with my colleague David Watt, examines the life and times of the Quaker scholar and activist Henry Cadbury, one of the early twentieth century co-founders of the American Friends Service Committee. Previous publications include my first book, Rereading the Conquest: Power, Politics and the History of Early Colonial Michoacán (Pennsylvania State Unviersity Press, 2001). This book combined literary theory and historical research to analyze the origins and transformation over time of a specific conquest narrative. It was selected for the Association of University Presses’ Books for Understanding: Mexico Book List. My second book, Paul Strand in Mexico,1932-34 (Aperture, 2010) utilized photography and film to examine social and cultural history in twentieth century Mexico. As part of this project I served as co-curator for a photography exhibition appearing at several locations including the Aperture Gallery in New York (http://www.aperture.org/gallery). Reviews of the exhibit from a variety of perspectives can be found at artdaily.com and the Wall Street Journal.
Associate Professor of Political Science
Paulina Ochoa Espejo is an Associate Professor of Political Science. She works at the intersection of democratic theory and the history of political thought, and she is interested in questions about popular sovereignty and borders. She has written about populism, the boundaries of the demos, immigration and the right to exclude, the relation between democracy and territorial rights, the moral relevance of borders and border control. She is also interested in Latin American Political Thought. // Before joining the faculty at Haverford College, she was an Assistant Professor at Yale University, and a Laurance S. Rockefeller Visiting Fellow at the University Center for Human Values, Princeton University. She has been visiting professor at CIDE in Mexico City, and a Carey Postdoctoral Fellow at the Erasmus Institute in the University of Notre Dame.
Levi Bentley, Lead Artist
Artist in Residence
Levi Bentley lives in Philadelphia and works in a variety of media including design, poetry, installation, publishing, etc. They will be on campus throughout the Fall 2018 semester.
The image above is the cover of their project ‘Boneless Skinless’ edited in collaboration with Jonathan Hamilton and released in February 2017. Contributors include Brandon Holmquest, Brandon Kelley, CAConrad, Jai Arun Ravine, Jay Besemer, Jooyhun Kim, Raquel Salas Rivera, Ryan Eckes. Follow this link to purchase ‘Boneless Skinless’Read less
'Braceros: Photographed by the Hermanos Mayo' Exhibition
Talk & Reception
4:30-6:30pm, Haverford VCAM Create Space 006
Photographed by the Hermanos Mayo
Haverford College, VCAM Building
Curator Talk and Opening Reception: Wednesday, September 12
4:30PM-5:30PM Talk with Curator John Mraz and Author Jaime Velez Storey (from Mexico City) VCAM Screening Room 001
5:30PM-6:30PM Reception, VCAM Create Space 006
Light refreshments provided
Exhibition Runs: September 4 – 24, 2018
Gallery Hours: Monday-Friday, 9am-5pm
A specter is haunting the world – the specter of immigration. In this exhibit we explore the experience of emigrating, as it was rendered by photographers who had also been uprooted. Today, as waves of migrations hurl themselves on the coasts and borders of the world, it seems appropriate to reflect on the Mexican braceros who were recruited to fill the boots of those US soldiers who had gone to fight fascism in the Second World War. Under the “Bracero Program, 1942-1964,” Mexicans were legally contracted to work in the USA as temporary unskilled laborers. We have chosen to tell this story through photographs made by other emigrants, Spanish refugees from that country’s Civil War (1936-1939), who — though they left their country for different reasons –nonetheless bring the particular gaze of emigrants to this task.
Fotografiados por los Hermanos Mayo
Curador: John Mraz
Un fantasma recorre el mundo: el fantasma de la inmigración. En esta exposición exploramos la experiencia de emigrar y la mostramos con imágenes hechas por unos transterrados. Hoy en día, mientras oleadas de migraciones
arrojan sus cargas humanas sobre las costas y las fronteras de todo el mundo, nos parece apropiado reflexionar sobre los braceros que fueron reclutados para reemplazar a los soldados norteamericanos que se habían ido a luchar contra el fascismo durante la Segunda Guerra Mundial. Con el “Programa Bracero” de 1942-1964, los mexicanos fueron legalmente contratados por los Estados Unidos como trabajadores temporales no calificados. Hemos elegido contar esta historia mediante las fotografías de otros migrantes –refugiados españoles de la Guerra Civil Española (1936-1939) — que tuvieron que dejar su patria por razones distintas.
John Mraz & Jaime Storey from Mexico City
John Mraz and Jaime Storey will be on campus during the week of September 9th to talk about their collaborative writing and work around the Braceros Program. Haverford College is thrilled to host the traveling exhibition ‘BRACEROS, Photographed by the Hermanos Mayo’ curated by John Mraz, the exhibition is installed in the VCAM lower create space from September 4th – 24th. John and Jaime co-wrote the book ‘Uprooted: Braceros in the Hermanos Mayos Lens’ pictured above – this book is available online and at book stores across the world.